Connect with us

Venice

Poster and Opening Sequence for Venice International Film Festival 2022 Designed by Lorenzo Mattotti

POSTER AND OPENING SEQUENCE FOR THE BIENNALE CINEMA 2022 DESIGNED BY LORENZO MATTOTTI
Poster and Opening Sequence for Venice International Film Festival 2022 Designed by Lorenzo Mattotti

A Lioness with classical grace to celebrate the 90th anniversary of the Biennale Cinema.

Italian illustrator and artist Lorenzo Mattotti is, for the fifth consecutive year, the author of the image for the official poster, and for the fourth year, of the opening sequence for the Venice International Film Festival of La Biennale di Venezia.

The image chosen for the poster this year depicts “a Lioness gliding through the air offering us this anniversary ­– the 90th, explains Lorenzo Mattotti  It has been 90 years since the first Venice International Film Festival and for this reason we wanted the image to be classical in style, just as the choice of a gold background was equally classical. The colour gold is also a reference to the posters of the early decades of the twentieth century. The Venice International Film Festival has always been classical, but provocative as well. Here the Lion, symbol of power and strength, has been transformed into a Lioness who embodies elegance and creativity. After 90 years, the Lion of Venice, symbol of the Film Festival, has become a Lioness who flies through history with grace and energy, as a symbol of hope, a rejection of aggression and ferocity”.

BIOGRAPHICAL NOTES

Lorenzo Mattotti lives and works in Paris. He began his career in the late 1970s as a comic artist and in the early 1980s founded the Valvoline group with other illustrators. In 1984 he created Fuochi, which was greeted as an event in the world of comic art, and won important international awards. In cinema, he collaborated in 2004 on Eros by Wong Kar-Wai, Steven Soderbergh and Michelangelo Antonioni, and was responsible for the presentation segments of each episode. He was a creative consultant for Pinocchio by Enzo D’Alò. In IncidentiSignor SpartacoDoctor NefastoL’uomo alla finestra and many more books, all the way to Stigmate published in Italy by Einaudi, Mattotti’s work has evolved following an extremely coherent constant. Today his books are translated around the world. He publishes in newspapers and magazines such as The New Yorker, Le Monde, Das Magazin, Süddeutsche Zeitung, Nouvel Observateur, Corriere della Sera and la Repubblica. He has illustrated many books for children including Pinocchio and Eugenio, which won the Grand Prix in Bratislava in 1993. He has held many solo exhibitions including an anthological exhibition at the Palazzo delle Esposizioni in Rome, at the Frans Hals Museum in Haarlem and at the Musei di Porta Romana. He creates posters, covers, advertising campaigns and is the author of the Cannes 2000 poster and the posters for the Estate Romana festival.
In May 2019, he presented to great acclaim in the Un Certain Regard section of the Cannes Film Festival, his first animated feature-length film as author and director, titled La famosa invasione degli orsi in Sicilia (The Bears’ Famous Invasion of Sicily) inspired by the fable/apologue by Dino Buzzati.

Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Venice

THE ACADEMY OF MOTION PICTURE ARTS AND SCIENCES FOR THE FIRST TIME AT THE VENICE FILM FESTIVAL

THE ACADEMY OF MOTION PICTURE ARTS AND SCIENCES FOR THE FIRST TIME AT THE VENICE FILM FESTIVAL
© labiennale.org

The panel The values of cinema in global society is scheduled on August 30, Press Room (Palazzo del Casinò, Venice Lido).

A warm welcome from La Biennale di Venezia, Cinecittà, and Mastercard.

THE ACADEMY OF MOTION PICTURE ARTS AND SCIENCES AT THE VENICE FILM FESTIVAL

For the first time, the Academy of Motion Picture Arts and Sciences will officially attend the Venice International Film Festival, on the occasion of the festival’s 90th anniversaryLa Biennale di VeneziaCinecittà, and Mastercard will welcome the Academy’s new CEO Bill Kramer – who will participate at the 79th Venice Film Festival along with a number of Academy delegates – at various important events to celebrate international cinema together.

In particular, on Tuesday, August 30 at 3 pm, at the Press Room (Palazzo del Casinò, Venice Lido), there will be a round table discussion entitled The values of cinema in global society, with the participation of the Academy’s CEO Bill Kramer, the President of La Biennale Roberto Cicutto, the Artistic Director of the Venice International Film Festival Alberto Barbera, the President of Cinecittà Chiara Sbarigia, the CEO of Cinecittà Nicola Maccanico, and Mastercard’s Country Manager Italy Michele Centemero. The panel will be moderated by the Variety correspondent Nick Vivarelli.

Also on Tuesday, August 30Bill Kramer will participate at an exclusive event in partnership with Mastercard which will be held that evening at Misericordia (historic center of Venice). Then, on the evening of Wednesday, August 31, he will take attend the opening Gala in the Sala Grande (Palazzo del Cinema). Lastly, on Thursday, September 1, at the Lido, Bill Kramer will meet with Academy members from around the world who are attending the festival, as well as with key representatives of international cinema.

ACADEMY IN VENICE PROGRAMME

Tuesday, August 30
3 pm – Venice Lido. Press Room (Palazzo del Casinò). Press presentation and round table discussion: The values of cinema in global society. In the presence of the Academy’s CEO, the President of the Biennale, the Artistic Director of the Venice International Film Festival, the CEO and the President of Cinecittà, and Mastercard’s Country Manager Italy.
8 pm – Scuola Grande della Misericordia: cocktail party
9:30 pm – Reception in partnership with Mastercard. Music by Aria and Friends Orchestra; dinner by Chef Alajmo, 3 Michelin stars.

Thursday, September 1
1 pm – Hotel Excelsior. Brunch with the participation of Bill Kramer, Academy delegates, and many national and international guests attending the Film Festival.

Continue Reading

Venice

SCREENING SCHEDULE OF THE BIENNALE CINEMA 2022 ONLINE FROM TUESDAY 16 AUGUST

POSTER AND OPENING SEQUENCE FOR THE BIENNALE CINEMA 2022 DESIGNED BY LORENZO MATTOTTI

Online ticket sales for the public from August 17 (3 pm), online booking service for pass holders from August 28.

SCHEDULE

The screening schedule of the 79th Venice International Film Festival (Venice, 31 August > 10 September 2022) will be published online on the website www.labiennale.org on Tuesday 16 August at 3 pm.
The online ticket sales service for the public will be active from Wednesday 17 August at 3 pm.
The online booking service for pass holders will be available from Sunday 28 August.

Continue Reading

Venice

VENEZIA 79 In Competition

OFFICIAL LINE UP OF VENICE IMMERSIVE 2022

WHITE NOISE OPENING FILM

by NOAH BAUMBACH

with Adam Driver, Greta Gerwig, Don Cheadle, Raffey Cassidy, Sam Nivola, May Nivola, Jodie Turner-Smith, André L. Benjamin and Lars Eidinger/ USA / 136’

 

IL SIGNORE DELLE FORMICHE

by GIANNI AMELIO

with Luigi Lo Cascio, Elio Germano, Leonardo Maltese, Sara Serraiocco / Italy / 134’

THE WHALE

by DARREN ARONOFSKY

with Brendan Fraser, Sadie Sink, Hong Chau, Samantha Morton, Ty Simpkins / USA / 117’

 

L’IMMENSITÀ

by EMANUELE CRIALESE

with Penélope Cruz, Luana Giuliani, Vincenzo Amato, Patrizio Francioni / Italy, France / 97’

SAINT OMER

by ALICE DIOP

with Kayije Kagame, Guslagie Malanda, Valérie Dréville, Aurélia Petit / France / 122’

 

BLONDE

by ANDREW DOMINIK

with Ana de Armas, Adrien Brody, Bobby Cannavale, Xavier Samuel, Julianne Nicholson, Lily Fisher / USA / 165’

 

TÁR

by TODD FIELD

with Cate Blanchett, Noémie Merlant, Nina Hoss, Sophie Kauer, Julian Glover, Allan Corduner, Mark Strong / USA / 158’

LOVE LIFE

by KÔJI FUKADA

with Fumino Kimura, Kento Nagayama, Atom Sunada / Japan, France / 123’

 

BARDO, FALSA CRÓNICA DE UNAS CUANTAS VERDADES (BARDO, FALSE CHRONICLE OF A HANDFUL OF TRUTHS)

by ALEJANDRO G. IÑÁRRITU

with Daniel Giménez Cacho, Griselda Siciliani, Ximena Lamadrid, Iker Sanchez Solano, Andrés Almeida, Francisco Rubio / Mexico

ATHENA

by ROMAIN GAVRAS

with Dali Benssalah, Sami Slimane, Anthony Bajon, Ouassini Embarek, Alexis Manenti / France / 97’

BONES AND ALL

by LUCA GUADAGNINO

with Taylor Russell, Timothée Chalamet, Mark Rylance, André Holland, Chloë Sevigny, Jessica Harper, David Gordon Green, Michael Stuhlbarg, Jake Horowitz / USA / 130’

THE ETERNAL DAUGHTER

by JOANNA HOGG

with Tilda Swinton, Joseph Mydell, Carly-Sophia Davies / UK, USA / 96’

SHAB, DAKHELI, DIVAR (BEYOND THE WALL)

by VAHID JALILVAND

with Navid Mohammadzadeh, Diana Habibi, Amir Aghaee / Iran / 126’

 

THE BANSHEES OF INISHERIN

by MARTIN MCDONAGH

with Colin Farrell, Brendan Gleeson, Kerry Condon, Barry Keoghan / Ireland, UK, USA / 109’

 

ARGENTINA, 1985

by SANTIAGO MITRE

with Ricardo Darín, Peter Lanzani, Alejandra Flechner, Norman Briski / Argentina, USA / 140’

 

 

CHIARA

by SUSANNA NICCHIARELLI

with Margherita Mazzucco, Andrea Carpenzano, Carlotta Natoli, Paola Tiziana Cruciani, Luigi Lo Cascio / Italy, Belgium / 106’

MONICA

by ANDREA PALLAORO

with Trace Lysette, Patricia Clarkson, Adriana Barraza, Emily Browning, Joshua Close / USA, Italy / 106’

KHERS NIST (NO BEARS)

by JAFAR PANAHI

with Jafar Panahi, Naser Hashemi, Vahid Mobaseri, Bakhtiar Panjeei, Mina Kavani, Reza Heydari / Iran / 106’

ALL THE BEAUTY AND THE BLOODSHED

by LAURA POITRAS

USA / 113’

 

UN COUPLE (A COUPLE)

by FREDERICK WISEMAN

with Nathalie Boutefeu / France, USA / 63’

 

THE SON

by FLORIAN ZELLER

with Hugh Jackman, Laura Dern, Vanessa Kirby, Zen McGrath, Anthony Hopkins, Hugh Quarshie / UK / 123’

LES MIENS (OUR TIES)

by ROSCHDY ZEM

with Sami Bouajila, Roschdy Zem, Meriem Serbah, Maïwenn, Rachid Bouchareb, Abel Jafrei, Nina Zem / France / 85’

LES ENFANTS DES AUTRES (OTHER PEOPLE’S CHILDREN)

by REBECCA ZLOTOWSKI

with Virginie Efira, Roschdy Zem, Chiara Mastroianni, Callie Ferreira / France / 104’

Continue Reading

Best of cinema Scope