Cannes

Cannes Classics 2022

Jean Eustache’s The Mother and the Whore © Bernard Prim

Jean Eustache’s The Mother and the Whore as grand opening to Cannes Classics, two episodes of Ethan Hawke’s event series on Joanne Woodward and Paul Newman, a tribute to Gérard Philipe, Patrick Dewaere being gone for 40 years, one last conversation with Jean-Claude Carrière, the Cinemateca Brasileira and Glauber Rocha, Pilipino director Mike De Leon, Arrabal the poet, a Czech new wave masterpiece, a close-up on Romy Schneider, one last goodbye to Fernando Solanas, a salute to Souleyman Cissé from his daughter.

There will also be India as Country of Honor, The Film Foundation and the World Cinema Project, an homage to Indian Cinema, the 70th anniversary of Singin’ In The Rain, Orson Welles and Kafka, a continuation of Vittorio movie restorations, De Sicca and Duvivier’s timeless classics, Robbie Robertson’s The Band for their last show. And a last a double Olympic feature with the official film of the Olympic Games in Munich in 1972 directed by 8 directors from the whole world and the one presented as world premiere of the Olympic Games in Tokyo directed by Naomi Kawase.
This is Cannes Classics 2022.

The Mother and the Whore back in the theater!

50 years after it began filming, The Mother and the Whore’s rerelease World Premier will happen May the 17th at 2 pm in Salle Debussy, in the presence of François Lebrun, Jean-Pierre Léaud and Boris Eustache. Winner of the Grand Prix du Jury presided by actress Ingrid Bergmann in 1973 and winner of the Prix de la Critique, this movie caused riots at the time. Rarely seen, The Mother and the Whore will once again grace French theaters June 8th, before the rerelease of Jean Eustache’s entire body of work, slated in 2023.
La Maman et la putain (The Mother and the Whore)
Jean Eustache
1972, 3h40, France
4K digital restoration of The Mother and the Whore was done in 2022 by Les Films du Losange, with backing from the CNC and participation from the Cinémathèque Suisse. Image restoration was done by Immagine Ritrovata Laboratories, supervised by Jacques Besse and Boris Eustache. Sound restoration was provided by Léon Rousseau of L.E. Diapason.
Screening in the presence of Françoise Lebrun, Jean-Pierre Léaud, Boris Eustache

India as Country of Honor

Right as the Marché du Film chose India as country of honor this year, a brand new restoration of Indian director, writer Satyajit Ray’s rare movie Pratidwandi will be presented in an exclusive screening. Present at the Festival de Cannes since 1956 with Pather panchali, Satyajit Ray will have left his mark on the world of cinema with his great body of work.
Pratidwandi (The Adversary)
Satyajit Ray
1970, 1h49, India
Presented by NFDC – National Film Archive of India, the film is restored under National Film Heritage Mission, a project undertaken by the Ministry of Information and Broadcasting, Government of India. The original 35mm Camera Negative, which was scanned in 4K on ARRISCAN XT, and the original 35mm Sound Negative were provided by producer Ms. Purnima Dutta for this restoration. Few portions of the negative were damaged and were instead scanned from a 35mm Release Print. The restoration was carried out by Prime Focus Technologies, Mumbai, and grading was supervised by renowned Indian cinematographer, Mr. Sudeep Chatterjee.

Singin’ in the Rain’s 70th anniversary

Just in time for the 70th anniversary of Singin’ In The Rain, this iconic movie will be presented in a brand new 4K restoration. An homage to musicals, ode to the art of filmmaking and love letter to human creation, this monument of American cinema detailing the transition from silent film to talkies will be screening on the Croisette.
Singin’ in the Rain
Gene Kelly et Stanley Donen
1952, 1h43, États-Unis
A Warner Bros. presentation. The new 4K master has been created by meticulously aligning the 3 separate masters obtained from the original Technicolor negatives. Warner Bros. Imaging carefully scanned each of the black and white “recordings” representing the primary colors Red, Green and Blue. The results present the phenomenal Technicolor photography as it has never been seen before.
This is a great leap forward from previous remasters: For the movie’s 50th anniversary, in 2002, Warner Bros. exclusive Ultra-Resolution technology had been used to realign the separation masters, which was at the time a great stride forward. In 2012, for the 60th anniversary, the process was improved greatly with the Blu-Ray release.

Now, for the 70th anniversary, the use of cutting-edge image-realignment and image-separation technology is a remarkable step forward, with results that look even-more brand new than the initial release. Warner Bros. Motion Picture Imaging used the transfer of the original archived Technicolor dyes as reference for the new master’s color grading, creating an even better image resolution with the use of HDR, making the color palette more vibrant than it’s ever been. For the audio, the new 4K copy offers the audience a new 5.1 mix derived from the original MGM tapes produced during the making of the movie and the best audio technology to offer an even clearer soundtrack than that of the original.

Restoration World Premieres

Sciuscià
Vittorio de Sica
1946, 1h33, Italy
Presented by The Film Foundation and Fondazione Cineteca di Bologna. Restored in 4K by The Film Foundation and Fondazione Cineteca di Bologna at L’Immagine Ritrovata in association with Orium S.A. Restoration funding provided by the Hobson/Lucas Family Foundation.
Thamp (The Circus Tent)
Aravindan Govindan
1978, 2h09, India
A presentation of Film Heritage Foundation, India. Restored by Film Heritage Foundation, The Film Foundation’s World Cinema Project, Cineteca di Bologna at Prasad Corporation Pvt. Ltd.’s Post – Studios, Chennai, and L’Immagine Ritrovata Laboratory, and in association with General Pictures, National Film Archive of India and the family of Aravindan Govindan. Funding provided by Prasad Corporation Pvt. Ltd. and Film Heritage Foundation.
The Trial
Orson Welles
1962, 2h, France / Germany / Italy
This restoration was produced in 2022 by STUDIO CANAL and the Cinémathèque Française. The image and sound restoration were done at the Immagine Ritrovata Laboratory (Paris-Bologne), using the original 35mm negative. This project was supervised by STUDIO CANAL, Sophie Boyer and Jean-Pierre Boiget. The restoration was funded thanks to the patronage of Chanel.
If I Were a Spy…
Bertrand Blier
1967, 1h34, France
Presented by Pathé. 4k restoration, done scanning the original negative film. A project undertaken by the Immagine Ritrovata Laboratory (Paris-Bologne). Restoration funded by the Centre national du cinema et de l’image animée (CNC).
Poil de Carotte
Julien Duvivier
1932, 1h31, France
A TF1 presentation. New 4K restoration done by TF1 studios, with the backing of CNC, using the original nitrate negative and a combined dupe negative on non-flammable film. Digital and photochemical work done in 2021 by the Hiventy laboratory.
The Last Waltz
Martin Scorsese
1978, 1h57, USA
MGM Studios’ THE LAST WALTZ (1978) is presented by Park Circus thanks to a new 4K digital restoration from the Criterion Collection, approved by director Martin Scorsese. Presented in its original aspect ratio of 1.85:1, this new 4K digital restoration of THE LAST WALTZ was created from a scan of the 35mm original camera negative made in 16-bit 4K resolution on a Lasergraphics Director Film scanner at Roundabout Entertainment in Burbank, California. A 35mm print courtesy of Sikelia Productions was used as a color reference. The 5.1 surround soundtrack was remixed from the original two-inch 24-track magnetic masters in 2001 by Ted Hall at POP Sound in Santa Monica, California, under the supervision of Robbie Robertson. Stereo mixes and stems made by Robertson’s mixer Dan Gellert and approved by Robertson were used in the creation of the 5.1 surround mix.
Itim
Mike De Leon
1976, 1h45, Philippines
A Mike De Leon presentation, distributed in France by Carlotta Films. Restoration done using the original 35mm negative and optical soundtrack, stored at the British Film Institute. The negative, scanned in 4K, benefited from a 2K digital restoration done at the Immagine Ritrovata Laboratory, Bologna. Color grading was supervised by the director, Mike De Leon, and his co-director of photography, Rody Laccap. This presentation is a preview of the French release of Mike De Leon’s entire restored body of work, slated 2022-2023.
Deus e o Diabo na Terra do Sol
Glauber Rocha
1964, 2h, Brazil
Presented by Metropoles.com and Paloma Cinematográfica. Restored from the original 35mm negative preserved at Cinemateca Brasileira and with a brand new 4K restoration by Estudios Cinecolor and Estudios JLS, Cinematographer Luis Abramo/Rogerio Moraes and with the supervision of Rodrigo Mercês.
Sedmikrásky (Daisies)
Vera Chytilová
1966, 1h14, Czech Republic
Digital restoration of this film funded by the donation of Mrs. Milada Kučerová and Mr. Eduard Kučera was carried out by Karlovy Vary International Film Festival in collaboration with the Národní filmový archiv, Prague and the Czech Film Fund in UPP and Soundsquare. The sources for the digitization were the original image negative, the original sound negative and original magnetic mixing tapes. Film materials are preserved by the Národní filmový archiv, Prague. The restoration was done in 2022. Release in French theaters by Malavida.
Viva la muerte
Fernando Arrabal
1971, 1h30, France / Tunisia
Viva la Muerte! was scanned and restored in 4K by the Cinémathèque de Toulouse using the original 35mm image negative, the original 35mm sound negative of the French version, and a 35mm interpositive element containing the end credits missing from the original negative.
The image digitization and restoration were done by the Cinémathèque de Toulouse laboratory, in collaboration with Fernando Arrabal.
The sound digitization and restoration were done by the L.E. Diapason studio.
The restoration was finished in 2022.
This restoration was made possible thanks to the unfailing support of Fernand Arrabal, the Ministry of Cultural Affairs of Tunisia, Mohamed Challouf (Ciné-Sud Patrimoine Association) and Mr. Samir Zgaya (Ministry of Cultural Affairs of Tunisia).

Documentaries

JOANNE WOODWARD & PAUL NEWMAN BY ETHAN HAWKE
The Last Movie Stars
Ethan Hawke, episodes 3 and 4
1h47, USA
Actor, director and producer Ethan Hawke and executive producer Martin Scorsese explore the lives and careers of actors Joanne Woodward and Paul Newman, in a captivating, intellectual, and moving documentary. This carefully crafted film, featuring Karen Allen, George Clooney, Oscar Isaac, LaTanya Richardson Jackson, Zoe Kazan, Laura Linney and Sam Rockwell, among others who voice interviews of Elia Kazan, Sydney Pollock, Paul Newman, Jacqueline Witte, and more in an incredible exploration of the iconic couple and American cinema. It is revealed in six chapters, two of which will be screened in the presence of Ethan Hawke.
Presented by Nook House Productions, Under the Influence Productions, CNN Films, and HBOMax.
Screening in the presence of Ethan Hawke and Clea Newman Soderlund
Romy, A Free Woman
written by Lucie Cariès and Clémentine Déroudille, directed by Lucie Cariès
1h31, France
Romy Schneider has been En Compétition ever since 1957 with Sissi, before coming back to the Croisette multiple times, notably for Claude Sautet’s Les Choses de la vie. This exceptional documentary recounts her illustrious career with passion and dedication. A Zadig Productions production, in association with Diaphana Films and with the participation of France Télévisions.
Screening in the presence of Lucie Cariès and Clémentine Deroudille
Jane Campion, Cinema Woman
Julie Bertuccelli
1h38, France
Director Julie Bertuccelli paints Jane Campion’s portrait with great precision, humor and admiration, telling the tale of the first-ever woman to win the Palme d’Or in 1993. A Les Films du Poisson production, co-produced by ARTE France.
Screening in the presence of Julie Bertuccelli.
Gérard Philipe, le dernier hiver du Cid
Patrick Jeudy
1h06, France
An adaptation of Jérôme Garcin’s novel Le dernier hiver du cid, this documentary built exclusively on archive footage and a delicate story telling style will permit a Cannes style celebration of Gerard Philipe’s 100th birthday anniversary. He will also be coming back to the Croisette through the screening of Fanfan la tulipe. Produced by Temps Noir, with the participation of France Télévisions and the backing of the CNC and the PROCIRED.
Screening in the presence of Patrick Jeudy, Jérôme Garcin and Anne-Marie Philipe.
Patrick Dewaere, mon héros (Patrick Dewaere, My Hero)
Alexandre Moix
1h30, France
The actress Lola Dewaere recounts the film career and traumatic life of celebrated actor Patrick Dewaere, the father she never knew, under the watchful eye of director Alexandre Moix. A Zoom Production and Bleu Kobalt coproduction, with the participation of France Télévisions, the RTS, and the RTBF, with Studiocanal.
Screening in the presence of Alexandre Moix and Lola Dewaere.
Hommage d’une fille à son père
Fatou Cissé
1h11, Mali
Fatou Cissé accompanies her father, malien director Souleymane Cissé, through a trip down his film career, painting an intimate and poetic picture of one of Africa’s most celebrated actors. A les films Cisse/Sise filimu production.
Screening in the presence of Fatou Cissé and Souleymane Cissé.
L’Ombre de Goya par Jean-Claude Carrière
José Luis Lopez-Linares
1h30, France / Spain / Portugal
It is with great emotion that we rediscover the magical langage of the late screenwriter Jean-Claude Carrière, as he researches the painter Goya. An incredible trip through culture, emotion, cinema, painting and Spain. A French-Hispanic-Portugese coproduction: Mondex et Cie/Lopezlifilms/Zampa Audiovisual/Fado Filmes. With backing from Eurimages, CINÉ+, the Amis du Louvre, RTVE, the ICAA and RTP. International sales: RESERVOIR DOCS.
Screening in the presence of José Luis Lopez Linares.
Tres en la deriva del acto creativo (Three in the Drift of the Creative Act)
Fernando Solanas
1h36, Argentina
Last homage to the great director Fernando Solanas, dear to our hearts, who came multiple times in Competition to the Festival and two times to Cannes Classics. Through this documentary rich in sensibility and visual flair aided by stunning graphics, “Pino” Solanas evokes creation. ACinesur s.a. production, with the backing of the INCAA (Instituto Nacional de CIne y Artes Audiovisuales).
Screening in the presence of Victoria and Juan Solanas, and Gaspar Noé

Finally, the Festival de Cannes will host a double screening to celebrate the film work of the International Olympic Committee. Indeed, since the first Games were filmed by the cinema, the IOC has never ceased to encourage filmmakers to film sport until deciding to produce official films. In 2020, the year when the Tokyo Games were postponed, then in 2021, it was the Japanese filmmaker who was in charge of directing which film will be presented in preview. To accompany this presentation and salute this initiative which will also continue for the Paris 2024 Games, Cannes Classics will screen the official film of the Munich 1972 Olympic Games, Visions of Eight, which brings together Miloš Forman, Youri Ozerov, Claude Lelouch, Mai Zetterling, Michael Pfleghar, Kon Ichikawa, Arthur Penn, John Schlesinger.
Official Film of the Olympic Games Tokyo 2020 Side A
Naomi Kawase
1h59
Japanese director Naomi Kawase directed the official film of the Tokyo 2020 Olympic Games with her style and all her subtlety. A strong work on sport, Japan and the union of nations. A real message that goes beyond the physical exploit to mark souls. To discover absolutely on the big screen in Cannes to be swept away by its beauty. An IOC, TOCOG, and KINOSHITA GROUP production.
Naomi Kawase in attendance.
Visions of Eight
Miloš Forman, Youri Ozerov, Claude Lelouch, Mai Zetterling, Michael Pfleghar, Kon Ichikawa, Arthur Penn, John Schlesinger
1973, 1h49, Allemagne / États-Unis
Back at Cannes, this incredible project, which had its world premiere at the Festival in 1973, was shot by directors who each filmed different sports with their own eye. The film impressed with its ambition, its power and dynamism, each filmmaker having chosen a sport. For example Miloš Forman, the decathlon, Kon Ichikawa, the 100 meters, John Schlesinger, the marathon, Mai Zetterling, the strongest athletes as well as Claude Lelouch the camera of whom lingers on the losers.
A must-see again in 2023, 50 years later.
Claude Lelouch in attendance.

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Cannes

Cannes Classics 2024

The Cannes Classics selection, created twenty years ago, once again features celebrations, restored prints and documentaries. It will be marked by the presence of great artists: Faye Dunaway, Wim Wenders, Sylvia Chang, Costa-Gavras, Raymond Depardon, Marco Bellocchio, Ron Howard, Frederick Wiseman, Dong-ho Kim, Montxo Armendáriz and more, to visit the history of cinema with those who preserve and restore our heritage, those who distribute and show films, film librarians and laboratories, festivals from all over the world, public institutions, 2024 festival-goers, loyal Cannes Cinéphiles accredited members and young 3 Three Days in Cannes spectators. Welcome!

EVENTS

100 years of Columbia Pictures

GILDA
Charles Vidor
1946, 1h50, United States

A Sony Pictures Entertainment presentation. Restoration from the original 35mm nitrate negative and a 35mm nitrate internegative. 4K digitization and digital image restoration by Cineric, Inc. Audio restoration by John Polito at Audio Mechanics from the sound track of the original 35mm nitrate negative. Color correction, conformation, additional image restoration and DCP creation by Motion Picture Imaging colorist Sheri Eisenberg. Restoration supervised by Grover Crisp.

Screening in the presence of Tom Rothman, President of Sony Pictures Entertainment.

The 40th anniversary of Paris, Texas by Wim Wenders,

Palme d’or 1984
PARIS, TEXAS
Wim Wenders
1984, 2h28, West Germany/France

A Wim Wenders Stiftung presentation. A 4K restoration commissioned by the Wim Wenders Stiftung under the supervision of Wim Wenders and with the kind collaboration of Argos Films.
Distribution France Tamasa, release July 3, 2024.

Screening in the presence of Wim Wenders.

Le siècle de Costa-Gavras
LA VÉRITÉ EST RÉVOLUTIONNAIRE – L’AVEU
Directed by Yannick Kergoat, written by Edwy Plenel
2024, 52mins, France

Michèle Ray-Gavras presents a KG Productions production with the support of INA, Gaumont Pathé Archives, ERT.
Presentation of one of the ten episodes of the documentary series « Le Siècle de Costa-Gavras », dedicated to the history of the film L’Aveu.

Screening in the presence of Costa-Gavras, Edwy Plenel and Yannick Kergoat.

The ultimate film of Jean-Luc Godard
SCÉNARIOS
Jean-Luc Godard
2024, 18mins and 34mins, France/Japan

An Écran noir productions production in association with ARTE France and Nekojarashi Llp (Roadstead).
Scénarios is the title Jean-Luc Godard chose for his final 18-minute film, made, literally, the day before his voluntary death. In addition, Jean-Luc Godard recorded a 34-minute film in which, mixing still and moving images, halfway between reading and seeing, he outlined his project for Scénarios.

Screening in the presence of Fabrice Aragno, Jean-Luc Godard’s assistant, and Mitra Farahani, producer.

The 70th birthday of the Seven Samourai
THE SEVEN SAMOURAI
(Les Sept Samouraïs)
Akira Kurosawa
1954, 3h27, Japan

A presentation of Toho Global Ltd. Digital restoration by Toho Co.,Ltd. For the 4K restoration, the 35mm print was supplied by Toho and produced by TOHO Archive Co, Ltd. Images and sound respectively digitized by ARRISCAN and SONDOR RESONANCES. Restoration carried out to celebrate the film’s 70th anniversary since its first Japanese cinema release. French distributor : The Jokers Films.

Screening in the presence of Shion Komatsu (Toho).

The complete works of Frederick Wiseman
LAW AND ORDER
Frederick Wiseman
1969, 1h21, United States

A presentation and restoration by Zipporah Films in association with Steven Spielberg, with the participation of the Library of Congress.
New version restored in 4K from the 16mm image negative and original sound. Digitization and color grading carried out at DuArt and Goldcrest laboratories in New York. Calibration and restoration by Jane Tolmachyov, under the supervision of Frederick Wiseman and the production direction of Karen Konicek. Digitization of the complete works of Frederick Wiseman, which will be the subject of retrospectives around the world from autumn 2024.

Screening in the presence of Frederick Wiseman.

Raymond Depardon Photographer
LES ANNÉES DÉCLIC
(The Declic Years)
Raymond Depardon
1984, 1h07, France

A Presentation of the Films du losange. Restauration in 4K under the supervision of Claudine Nougaret and Raymond Depardon at TransPerfect Media laboratory from 35mm image, magnetic and sound negatives.
Screening in the presence of Claudine Nougaret and Raymond Depardon.

Lucy Barreto, a producer in Brasil
BYE BYE BRASIL
(Bye bye Brésil)
Carlos Diegues
1970, 1h42, Brazil

A presentation and restoration by Lucy and Luiz Carlos Barreto for Produções Cinematográficas LC Barreto, in association with Quanta, Alexandre Rocha and Marcelo Pedrazzi, financed by Rede D’Or.
Screening in the presence of Lucy and Luiz Carlos Barreto, Paula Barreto.

The 60th anniversary of Jacques Demy’s Umbrellas of Cherbourg,

Palme d’or 1964

THE UMBRELLAS OF CHERBOURG
Jacques Demy
1964, 1h32, France

A presentation by Ciné-Tamaris. 4K restoration under the supervision of Mathieu Demy and Rosalie Varda-Demy from the original negative, scanned in immersion to reduce the effects of time on the film by the Eclair Classics and L.E. Diapason laboratories in Paris. Sound restoration based on a three-track stereophonic mix of music and vocals.
Screening in the presence of Rosalie Varda-Demy and Mathieu Demy.

JACQUES DEMY, LE ROSE ET LE NOIR
Florence Platarets
2024, 1h28, France

An Ex Nihilo, Ciné-Tamaris, ARTE France and INA production, with the participation of Ciné +, Cineventure 9, and the CNC. International distribution by mk2 Films.
Screening in the presence of Florence Platarets and Frédéric Bonnaud (screenwriter).

DOCUMENTARIES

FAYE
Laurent Bouzereau
2024, 1h31, United States

A Needland Media, Amblin and HBO production.
The first feature-length documentary about Faye Dunaway who speaks about her career, with landmark roles in Bonnie and Clyde, Chinatown and Network. Joining Faye are her son Liam, colleagues and friends such as Sharon Stone, Mickey Rourke, James Gray and many others.

Screening in the presence of Faye Dunaway and Laurent Bouzereau.

JIM HENSON IDEA MAN
Ron Howard
2024, 1h51, United States

An Imagine Documentaries and Disney Branded Television production.
Welcome to the mind of Jim Henson, a singular creative visionary, from his early years as a puppeteer on local television to the worldwide success of Sesame Street, The Muppet Show and more. With unprecedented access to Jim’s personal archives, Oscar-winning director Ron Howard offers a fascinating and insightful look at a complex man whose vivid imagination inspired the world.

Screening in the presence of Ron Howard.

WALKING IN THE MOVIES
Lyang Kim
2024, 1h28, South Korea

A ZONE Film, Kookje Daily News co-production with the participation of Busan’s Committee for Local Press.
A portrait of one of the key figures in the rise of Korean cinema: Kim Dong-ho, founder of the Busan International Film Festival. The film describes his own dedication and creativity in the service of cinema and asks: “How could a high official fall in love with cinema?”

Screening in the presence Dong-ho Kim and Lyang Kim.

JACQUES ROZIER, D’UNE VAGUE À L’AUTRE
Emmanuel Barnault
2024, 1h, France

An INA and mk2 Films production, with the participation of Ciné+ and the CNC.
Jacques Rozier or the fierce, independent itinerary of a filmmaker in perpetual disarray, admired by his peers and pampered by the critics.
Screening in the presence of Emmanuel Barnault.

ELIZABETH TAYLOR: THE LOST TAPES
Nanette Burstein
2024, 1h41, United States

A Zipper Bros Films, Gerber Pictures, Sutter Road Picture Company and Bad Robot production.
Thanks to access to Elizabeth Taylor’s personal archives and seventy hours of newly-discovered intimate recordings, the film by Nanette Burstein, who won acclaim at Cannes a few years ago for The Kid Stays in the Picture, which she co-directed with Brett Morgen, lifts the veil on the star, revealing a woman far removed from her public image.

Screening in the presence of Nanette Burstein.

FRANÇOIS TRUFFAUT, LE SCÉNARIO DE MA VIE
David Teboul
2024, 1h38, France

A co-production of 10.7 production and INA, with the participation of France Télévisions, CNC, Procirep-Angoa and Fondation La Poste. International sales mk2 Films.
At the end of his life, gravely ill, François Truffaut took refuge with his ex-wife Madeleine Morgenstern. She tried to keep him occupied during his long agony. The filmmaker confided in his friend Claude de Givray, with the intention of writing his autobiography. Too weakened, he abandoned the project. The film reveals part of this final story.

Screening in the presence of David Teboul and Serge Toubiana (screenwriter).

ONCE UPON A TIME MICHEL LEGRAND
David Hertzog Dessites
2024, 2h, France

A MACT Productions and Le Sous-Marin Productions production with the participation of OCS, in association with Dulac Distribution, Mediawan Rights and Indéfilms 10.
Michel Legrand, jazz musician and composer extraordinaire, has left his mark on the history of cinema, including the films of Jacques Demy, especially The Umbrellas of Cherbourg, the 60th anniversary of which is being celebrated in Cannes. Using never-before-seen archives and personal accounts, the film looks back on a lifetime dedicated to music, and the career of a man who served it masterfully to the very end.
Screening in the presence of David Hertzog Dessites.

RESTORED PRINTS

SLAP THE MONSTER ON PAGE ONE
Marco Bellocchio
1972, 1h28, Italy/France

A Fondazione Cineteca di Bologna presentation. Restored in 4K by the Fondazione Cineteca di Bologna in collaboration with Surf Film and Kavac Film, under the supervision of Marco Bellocchio at the L’Immagine Ritrovata laboratory.

Screening in the presence of Marco Bellocchio and Gian Luca Farinelli, Director of the Fondazione Cineteca di Bologna.

THE SUGARLAND EXPRESS
Steven Spielberg
1974, 1h50, United States

A presentation and restoration by Universal Pictures. Special thanks to Steven Spielberg for his oversight of the 4K restoration of this film.

Screening in the presence of Cassandra Moore, Vice President, Mastering & Archive at NBCUniversal.

CAMP DE THIAROYE
Ousmane Sembene and Thierno Faty Sow
1988, 2h33, Senegal/Algeria/Tunisia

A presentation of The Film Foundation’s World Cinema Project. Restored by The Film Foundation’s World Cinema Project and the Cineteca di Bologna at the L’Immagine Ritrovata laboratory in association with the Tunisian Ministry of Culture and the Senegalese Ministry of Culture and Historical Heritage. Thanks to Mohammed Challouf. Restoration funded by the Hobson/Lucas Family Foundation.

Screening in the presence of Margaret Bodde, Executive Director of The Film Foundation.

ARMY OF SHADOWS
Jean-Pierre Melville
1969, 2h23, France

A Studiocanal presentation. 4K restoration created from the original 35mm negative and sound negative carried out by L’Image Retrouvée.

Screening in the presence of Juliette Hochart, EVP of Library, and Thierry Lacaze, Head of French theatrical, video and VOD distribution, Studiocanal.

JOHNNY GOT HIS GUN
Dalton Trumbo
1971, 1h52, United States

A Gaumont presentation. New 4K digital print, produced by GP Archives. Malavida will be released in France on October 2, 2024 in this new 4K print.

Screening in the presence of Nicolas Seydoux, Chairman of Gaumont.

ROSORA AT 10 O’CLOCK
Mario Soffici
1958, 1h42, Argentina

An Argentina Sono Film presentation. Restored in 4K by Cubic Restauration in collaboration with the Society for Audiovisual Heritage, coordinated by Fernando Madedo and supervised by Luis Alberto Scalella. Restored in the original AlexScope 2.35 format from the original 35mm negatives in the archives of Argentina Sono Film, the owner of the film.

Screening in the presence of Luis Alberto Scalella, president of Argentina Sono Film.

TASIO
Montxo Armendáriz
1984, 1h36, Spain

A presentation of the Cinémathèque Basque, Spain. 4K restoration financed by the Basque Government and carried out by the L’Immagine Ritrovata laboratory from the original negative, supervised by director Montxo Armendáriz and with the agreement of production company Enrique Cerezo, PC. French distribution by Tamasa and release in French theaters in 2025.

Screening in the presence of Montxo Armendáriz.

THE ROSE OF THE SEA
Jacques de Baroncelli
1947, 1h26, France

A Pathé presentation. 4K restoration, based on the original nitrate negatives, an image negative and an optical sound negative, as well as a 1st generation standard brown. Work carried out by the L’Image Retrouvée laboratory (Paris-Bologna).

Screening in the presence of Sophie Seydoux, President of the Jérôme Seydoux-Pathé Foundation.

BONA
Lino Brocka
1980, 1h26, Philippines

A Kani Releasing and Carlotta Films presentation. New version restored in 4K by Carlotta Films and Kani Releasing at the Cité de Mémoire laboratory (Paris) from the original 35mm image and sound negatives preserved by LTC Patrimoine. Special thanks to Pierre Rissient and José B. Capino. French theatrical release: September 25, 2024.

Screening in the presence of Vincent Paul-Boncour, director and co-founder of Carlotta Films.

MANTHAN
(The Churning)
Shyam Benegal
1976, 2h14, India

A presentation of Film Heritage Foundation. Restored by Film Heritage Foundation at Prasad Corporation Pvt. Ltd.’s Post – Studios, Chennai and L’Immagine Ritrovata Laboratory, in association with Gujarat Co-operative Milk Marketing Federation Ltd., the cinematographer Govind Nihalani and the director Shyam Benegal. Manthan was restored using the best surviving elements: the 35 mm original camera negative preserved at the NFDC-National Film Archive of India and the sound was digitised from the 35 mm release print preserved at Film Heritage Foundation. Funding supported by Gujarat Co-operative Milk Marketing Federation Ltd.

Screening in the presence of actor Naseeruddin Shah, the family of actress Smita Patil, producers of the film and Shivendra Singh Dungarpur, Director, Film Heritage Foundation.

SHANGHAI BLUES
Tsui Hark
1984, 1h42, Hong Kong

A Film Workshop presentation to mark the company’s 40th anniversary. 4K restoration of the original negative supervised by Tsui Hark and Nansun Shi, in collaboration with L’Immagine Ritrovata, soundtrack remixed by One Cool Sound.

Screening in the presence of actress Sylvia Chang.

FOUR NIGHTS OF A DREAMER
Robert Bresson
1971, 1h23, France/Italy

A mk2 presentation. Restored in 4K by mk2 Films with the support of the CNC from the image negative and magnetic sound at ECLAIR CLASSICS, Paris/Bologna.

Restoration and color grading supervised by Mylène Bresson. Color grading by Christophe Bousquet. Sound restoration by L.E. DIAPASON. French theatrical release by mk2.Alt and Carlotta first quarter of 2025. International distribution: mk2 films.

Screening in the presence of Nathanaël Karmitz, Chairman of the board of mk2.

REMINDER

Napoléon par Abel Gance (1927) to open Cannes Classics
NAPOLÉON PAR ABEL GANCE (1927)
Abel Gance
1927, 3h40, France

After 16 years in the making, here is the first part (3h40) of Abel Gance’s Napoleonic epic (from Bonaparte’s youth to the Siege of Toulon).
Screening in the presence of Costa-Gavras, President, and Frédéric Bonnaud, General Director, of the Cinémathèque française.

The screening will take place in Salle Debussy on Tuesday May 14 at 2PM.

The 77th Festival de Cannes will take place from Tuesday May 14 to Saturday May 25, 2024.

Cannes

Short films and La Cinef Jury and selections of the 77th Festival de Cannes

Lubna Azabal © Dominique Charriau / Paolo Moretti © Angèle Marignac-Serra ECAL / Marie-Castille Mention-Schaar @ Guy Ferrandis / Claudine Nougaret © Raymond Depardon / Vladimir Perišić © Philippe Lebruman

Flanked by Marie-Castille Mention-Schaar, Paolo Moretti, Claudine Nougaret and Vladimir Perišić, the Belgian actress Lubna Azabal will award the Short Film Palme d’or and the 3 La Cinef prizes, the Festival de Cannes’ selection dedicated to student films. The Jury will discover the 11 films in the Short Film Competition and the 18 films in La Cinef selection unveiled today.

JURY MEMBERS OF THE SHORT FILM AND LA CINEF

LUBNA AZABAL – President

Actress
Belgium

After attending the Royal Conservatory of Brussels, Lubna Azabal began her acting career in theater. In 1997, she got her first role in front of the camera in Vincent Lannoo’s short film J’adore le cinéma (I Love the Movies). She went on to work with directors such as Michel Deville, Ridley Scott, André Téchiné, Nadir Moknèche and Denis Villeneuve. She was noticed for her performance in Tony Gatlif’s Exils, which won Best Director Award at the Festival de Cannes in 2004. In 2018, she returned to Cannes with director Meryem Benm’Barek’s Sofia, which won the Un Certain Regard Award for Best Screenplay. In 2019, she presented Adam by Maryam Touzani, with whom she was back in Cannes in 2022 for The Blue Caftan, which earned her a third Magritte Award for Best Actress in 2024.

MARIE-CASTILLE MENTION-SCHAAR

Director, screenwriter, producer
France

Marie-Castille Mention-Schaar began her career in the U.S. as deputy international editor at The Hollywood Reporter, then moved to Columbia Pictures to manage remake projects. Returning to France in 1994, she produced some twenty films through her production companies Vendredi and Willow. After co-writing La Première Etoile, she wrote and directed her first film Ma première fois (2011), followed by Bowling (2012) and Once in a life time (2014). In 2015, Heaven Will Wait was selected at numerous festivals, and earned Noémie Merlant a nomination for the César for Best Emerging Actress. After All About Mothers (2017), her sixth film, A Good Man is part of the Official Selection 2020 of the Festival de Cannes. Her seventh film, Divertimento, was released in January 2023. She is the founder of the Cercle Féminin du Cinéma Français and Officier des Arts et des Lettres.

PAOLO MORETTI

Film programmer
Italy

Currently director of the cinema department at the École cantonale d’art de Lausanne (ECAL), director of the Grütli Cinemas in Geneva and cinema curator at the Fondazione Prada in Milan, Paolo Moretti was general delegate of the Directors’ Fortnight, the parallel selection of the Festival de Cannes, from 2018 to 2022. He worked for numerous film festivals and institutions in Europe, including the Centre Pompidou and Cinéma du Réel in Paris, the Filmoteca Española in Madrid, the Leeds International Film Festival and the Portuguese Cinematheque in Lisbon. From 2008 to 2011 he was programming advisor and deputy director of the Venice Film Festival. Between 2014 and 2019 he directed the La Roche-sur-Yon International Film Festival and was a member of the selection committees of the FIDMarseille and Visions du Réel festivals.

CLAUDINE NOUGARET

Producer, director
France

Claudine Nougaret is a producer and director. She started out in the film industry as a sound engineer in 1984 on Éric Rohmer’s The Green Ray. In 1992, together with Raymond Depardon, she founded Palmeraie et Désert to produce quality documentary films including Urgences, Caught in the Acts, Africa: How Are You with Pain?, The 10th Judicial Court: Judicial Hearings, Modern Life, Journal de France, France, 12 Days (presented in 2017 at the Festival de Cannes in Official Selection – Out of Competition). In 2021, she created the CST Award for best young female film technician at the Festival de Cannes, and in 2022 produced the film Feminist Riposte by Marie Perennès and Simon Depardon, a documentary about feminist collectives across France (Festival de Cannes 2022, Official Selection).

VLADIMIR PERIŠIĆ

Director, screenwriter
Serbia

Graduated from the Fémis film school, Vladimir Perišić presented his graduation film, the short Dremano oko, in the Cinéfondation selection at the Festival de Cannes 2003. In 2009, he directed his first feature film Ordinary People, an intense war film he co-wrote with Alice Winocour, in competition for the Caméra d’Or at the Festival de Cannes 2009. He returned in 2014 with Bridges of Sarajevo, screened in Special Screenings, a collective work by thirteen renowned European filmmakers on the history of the Bosnian capital, for which he directed Our Shadow Will. His latest film, Lost Country (2023), is a critically acclaimed intimate political chronicle. In parallel, he has been one of the programmers of the Belgrade Auteur Film Festival since 2011.

“Traveler, there is no path. The path is made by walking.” Antonio Machado. The Festival de Cannes is one of those paths we dream of crossing. The focus on young filmmakers presenting their short films, and the paths they have taken to get there, honor me. I can’t wait to discover the richness of it all. It’s a journey that I want to be demanding and kind, short after short, step after step. To be selected in this mythical place is a message of love, a worldwide recognition, and to preside over it is a source of pride.

LUBNA AZABAL
Short films and La Cinef Jury President

THE SHORT FILMS COMPETITION

Selected from 4 420 films, 11 shorts will be presented this year in Competition, coming from 10 countries : Azerbaijan, Brazil, Canada, China, Croatia, France, Kosovo, Lithuania, Portugal and the United States. The Short Film Palme d’or will be handed by the Jury chaired by Lubna Azabal, Saturday, May 25, during the closing ceremony of the 77th Festival de Cannes.

VOLCELEST
Éric Briche
France – 15′

OOTIDĖ
(Ootid)
Razumaitė Eglė
Lithuania – 9′

SANKI YOXSAN
Azer Guliev
Azerbaijan – 15′

LES BELLES CICATRICES
Raphaël Jouzeau
France – 15′

RRUGËS
(On The Way)
Samir Karahoda
Kosovo – 15′

ACROSS THE WATERS
Viv Li
China – 15′

PERFECTLY A STRANGENESS
Alison McAlpine
Canada – 15′

TEA
Blake Rice
United States – 12′

AMARELA
(Yellow)
André Hayato Saito
Brazil – 15′

THE MAN WHO COULD NOT REMAIN SILENT
Nebojša Slijepčević
Croatia – 13′

BAD FOR A MOMENT
(Mau Por Um Momento)
Daniel Soares
Portugal – 15′

LA CINEF SELECTION

For its 27th edition La Cinef has selected 18 shorts (14 live-action and 4 animated films) from among the 2,263 submitted by film schools all over the world. This year’s programme reflects the geographic mobility of film students, with a Singaporean director in Australia, an Indian and a Lithuanian in the UK, a Russian in the Czech Republic and three shorts made at American schools by Russian, Chinese and British filmmakers.

The Jury will hand over La Cinef prizes at a ceremony preceding the screening of the awarded films on Thursday 23 May in the Buñuel Theatre.

CROW MAN
Yohann Abdelnour
ALBA – Lebanon – 8′

BANISHED LOVE
Xiwen Cong
Beijing Film Academy – China – 40′

PRAEIS (IT’LL PASS)
Dovydas Drakšas
London Film School – United Kingdom – 27′

ECHOES
Robinson Drossos
ENSAD – France – 7′

MAUVAIS COTON (US AND THEM)
Nicolas Dumaret
La Fémis – France – 20′

TERMINAL
East Elliott
NYU – United States of America – 18′

ELEVACIÓN
Gabriel Esdras
Universidad de Guadalajara – Mexico – 28′

IN SPIRITO
Nicolò Folin
Centro Sperimentale di Cinematografia – Italy – 14′

THE DEER’S TOOTH
Saif Hammash
Dar Al-Kalima University – Palestine – 16′

PLEVEL (WEEDS)
Pola Kazak
FAMO – Czech Republic – 14′

THE CHAOS SHE LEFT BEHIND
Nikos Kolioukos
Aristotle University of Thessaloniki – Greece – 33′

FOREST OF ECHOES
Yoori Lim
Korea National University of Arts – South Korea – 22′

BUNNYHOOD
Mansi Maheshwari
NFTS – United Kingdom – 9′

SUNFLOWERS WERE THE FIRST ONES TO KNOW…
Chidananda S Naik
FTII, Pune – India – 16′

WITHERED BLOSSOMS
Lionel Seah
AFTRS – Australia – 14′

OUT THE WINDOW THROUGH THE WALL
Asya Segalovich
Columbia University – United States of America – 22′

THREE
Amie Song
Columbia University – United States of America – 15′

IT’S NOT TIME FOR POP
Amit Vaknin
Tel Aviv University – Israel – 14′

The 77th Festival de Cannes will take place from Tuesday May 14 to Saturday May 25, 2024.

Cannes

An immersive 2024 Festival

The Festival de Cannes announces eight projects as a part of the Immersive Competition including collective location-based virtual reality and mixed reality experiences, and projection mapping and holographic works. These carefully selected immersive works showcase the cutting edge of this new era in storytelling, challenging convention, embracing new technologies, and above all celebrating new artists as well as old.

IMMERSIVE COMPETITION

EN AMOUR

France

Claire Bardainne, Adrien Mondot, Laurent Bardainne

Casting Claire Bardainne (voice over), November Ultra (singing voice)

Produced by Adrien M & Claire B, Ekleroshock records

EN AMOUR France IMMERSIVE COMPETITION — © Adrien M & Claire B

EVOLVER

UK, France, United States French Premiere

Barnaby Steel, Ersin Han Ersin, Robin McNicholas

Casting Cate Blanchett (voice)
Produced by Marshmallow Laser Feast, Atlas V, Pressman Film, Orange, Bia-Echo Foundation

EVOLVER UK, France, United States French Premiere — © DR

HUMAN VIOLINS: PRELUDE (multi-user version)

Romania, France
World Premiere
Ioana Mischie

Casting Cabiria Morgenstern (English Voice)
Produced by Storyscapes, Da Prod, Studioset

HUMAN VIOLINS PRELUDE multi user version — © Alexandru Pop

MAYA: THE BIRTH OF A SUPERHERO

UK, France, United States European Premiere

Poulomi Basu, CJ Clarke

Casting Indira Varma, Kathy Packianathan (French voices), Indira Varma, Charithra Chandran (English voices), Florrie Antoniou (voices)

Produced by Just Another Production Company, Floréal, Meta VR for Good, France Télévisions, Francetv Storylab, Meta

MAYA THE BIRTH OF A SUPERHERO — © Poulomi Basu, CJ Clarke

COLORED

France, Taiwan

Tania de Montaigne, Stéphane Foenkinos, Pierre-Alain Giraud

Casting Tania de Montaigne, Rebecca Naluyange, Keril Daniel Elombe, Véronique Bailey, Jona Kraft, Sergei Laev, Mbongiseni Kunene, Craig Thomas Crawford, John Harve Jackson, Gwei Lun-Mei (Mandarin voice), Susanna Dimitri (Italian voice).

Produced by Novaya, Flash Forward Entertainment, Centre Pompidou

TELOS I

Canada, Sweden, Denmark World Premiere

Dorotea Saykaly, Emil Dam Seidel

Produced by Dorotea Saykaly, Emil Dam Seidel

Casting Dorotea Saykaly

TELOS I Canada, Sweden, Denmark World Premiere — © Kristoffer Engholm Aabo

THE ROAMING

France, Luxembourg, Canada

Mathieu Pradat

Casting Axel Beaumont, Pierre Tallaron, Tony Sanial, Mila Pousséo, Chloé Froget, Anne Klein, Marianne Bourg

Produced by La prairie productions, Wild Fang Films, Normal Studio, Small Creative

THE ROAMING France, Luxembourg, Canada — © La prairie productions

TRAVERSING THE MIST

Taiwan

Tung-Yen Chou Casting Jing-Yan Lin

Produced by Very Theatre

IMMERSIVE SELECTION

Non-competitive works

Part of the Immersive Selection, six non-competitive works will be featured at the exhibition exploring the evolution of the medium and drawing parallels between virtual reality, virtual production, cinema and collective storytelling.

BATTLESCAR

France, United States

Martin Allais, Nico Casavecchia
Casting Dawson (English voice), Jehnny Beth (French voice), Lo Rivera (German voice)
Produced by Atlas V, Albyon, 1STAveMachine, ARTE France, Oculus, Ryot

EMPEROR

France, Germany

Marion Burger, Ilan J. Cohen

Casting Olivia Cooke (English voice), Vimala Pons (French voice)

Produced by Atlas V, Reynard Films, France Télévisions

EMPEROR France, Germany Marion Burger, Ilan J. Cohen — © Atlas V, Reynard films

GLOOMY

EYES Argentina, France, United States

Fernando Maldonado, Jorge Tereso

Casting Tahar Rahim (French voice), Colin Farrell (English voice), Max Riemelt (German voice), Jorge Drexler (Spanish voice), Jam Hsiao (Mandarin voice)

Produced by Atlas V, 3dar, ARTE France, HTC, Ryot

GLOOMY EYES Argentina, France, United States — © ATLAS V, 3DAR, RYOT, ARTE

MISSING PICTURES: NAOMI KAWASE

France, UK, Taiwan, Luxembourg, South Korea

Clément Deneux

Casting Naomi Kawase

Produced by Atlas V, ARTE France, BBC, PTS, Serendipity Films, Wild Fang Films, Giioii

MISSING PICTURES NAOMI KAWASE — © Atlas V, Arte France, BBC, Serendipity, PTS Taiwan, Wild Fang Films, GIIOII

NOTES ON BLINDNESS

France, UK

Arnaud Colinart, Amaury La Burthe, Peter Middleton, James Spinney

Casting John Hull (English version), Lambert Wilson (French version)

Produced by Ex Nihilo, ARTE France, Archer’s Mark, Novelab

NOTES ON BLINDNESS France, UK — © Ex Nihilo, ARTE France, Archer’s Mark, Novelab, Atlas V

SPHERES

United States, France

Eliza McNitt
Casting Jessica Chastain, Millie Bobby Brown, Patti Smith
Produced by Protozoa Pictures, City Lights, Crime of Curiosity, Atlas V

The Best Immersive Work Award will be presented by the President of the Jury at the Closing Ceremony on May 23. The Compétition Immersive of the Festival de Cannes is a new competition dedicated to immersive works, the first edition of which will be held from May 15-24, 2024 at the Cannes Cineum and the Université Côte d’Azur, Georges Méliès Campus.

The 77th Festival de Cannes will take place from Tuesday May 14 to Saturday May 25, 2024.