Cannes
The Cannes Films en route for the 2022 Oscars
The first of November was the deadline for a film to be submitted as a candidate for “Best International Feature Film” for the 2022 Oscars. This marks the start of a competition that will culminate on 27 March 2022 in Los Angeles during the 94th Academy Awards organised by the Academy of Motion Picture Arts and Sciences.
Among the films vying for a nomination, the Festival de Cannes is proud to announce that 18 were a part of the Official Selection. They have been chosen by their countries to be their cinematographic representatives. These are films that bear witness to the quality, diversity and vitality of cinema from around the world.
On 21 December, the Academy of Motion Picture Arts and Sciences unveiled the 15 semi-finalists that will be competing for the Best International Feature Film at the 2022 Oscars.
Nine of these 15 films were premiered at the Festival, and many received awards.
The five finalists will be named on 8 February. In the meantime, the Festival wishes the best of luck to them all.
THE FILMS FROM THE OFFICIAL SELECTION COMPETING FOR THE 2022 OSCARS
Competing for the 2022 Oscar for Best International Feature Film
DRIVE MY CAR by Ryusuke Hamaguchi – Award for Best Screenplay, Cannes 2021
FLEE by Jonas Poher Rasmussen – Animated Films Selection, Cannes 2020
GHAHREMAN (A HERO) by Asghar Farhadi – Grand Prix (tied), Cannes 2021
GROSSE FREIHEIT (GREAT FREEDOM) by Sebastian Meise – Un Certain Regard – Jury Prize, 2021
HYTTI NRO 6 (COMPARTMENT NO.6) by Juho Kuosmane – Grand Prix (tied), Cannes 2021
LAMB by Valdimar Jóhannsson – Un Certain Regard – Prize of Originality, 2021
NOCHE DE FUEGO (PRAYERS FOR THE STOLEN) by Tatiana Hueso – Un Certain Regard – Special Mention, 2021
UN MONDE (PLAYGROUND) by Laura Wandel – Un Certain Regard, 2021
VERDENS VERSTE MENNESKE (THE WORST PERSON IN THE WORLD) by Joachim Trier – Award for Best Actress, Cannes 2021
Competing for the 2022 Oscar for Best Documentary Feature
FLEE by Jonas Poher Rasmussen – Animated Films Selection, Cannes 2020
Competing for the 2022 Oscar for Best Original Score
THE FRENCH DISPATCH by Wes Anderson – In Competition, Cannes 2021
Competing for the 2022 Oscar for Best Original Song
ANNETTE by Leos Carax – Opening Film, Cannes 2021
FILMS FROM THE OFFICIAL SELECTION SUBMITTED TO THE 2022 OSCARS BY THEIR COUNTRY OF ORIGIN
Austria
GROSSE FREIHEIT (GREAT FREEDOM) by Sebastian Meise
Un Certain Regard – Jury Prize, 2021
Armenia
SI LE VENT TOMBE (SHOULD THE WIND DROP) by Nora Martirosyan
“First Features” Selection, Cannes 2020
Bangladesh
REHANA MARYAM NOOR by Abdullah Mohammad Saad
Un Certain Regard, 2021
Belgium
UN MONDE (PLAYGROUND) by Laura Wandel
Un Certain Regard, 2021
Colombia
MEMORIA by Apichatpong Weerasethakul
Competition – Jury Prize (tied), 2021
Denmark
FLEE by Jonas Poher Rasmussen
“Animated Films” Selection, Cannes 2020
Finland
HYTTI NRO 6 (COMPARTMENT N°6) by Juho Kuosmanen
Competition – Grand Prix (tied), 2021
France
TITANE by Julia Ducournau
Competion – Palme d’or, 2021
Haiti
FREDA by Gessica Généus
Un Certain Regard, 2021
Iran
GHAHREMAN (A HERO) by Asghar Farhadi
Competition – Grand Prix (tied), 2021
Iceland
LAMB by Valdimar Jóhannsson
Un Certain Regard – Prize of Originality, 2021
Israel
VAYEHI BOKER (LET IT BE MORNING) by Eran Kolirin
Un Certain Regard, 2021
Japan
DRIVE MY CAR by Ryūsuke Hamaguchi
Competition – Award for Best Screenplay, 2021
Morocco
HAUT ET FORT (CASABLANCA BEATS) by Nabil Ayouch
Competition, 2021
Mexico
NOCHE DE FUEGO (PRAYERS FOR THE STOLEN) by Tatiana Hueso
Un Certain Regard – Special Mention, 2021
Norway
VERDENS VERSTE MENNESKE (THE WORST PERSON IN THE WORLD) by Joachim Trier
Competition – Award for best actress, 2021
Russia
RAZZHIMAYA KULAKI (UNCLENCHING THE FISTS) by Kira Kovalenko
Un Certain Regard – Un Certain Regard Prize, 2021
Turkey
BAGLILIK HASAN (COMMITMENT HASAN) by Semih Kaplanoğlu
Un Certain Regard, 2021
Cannes
Studio Ghibli Honorary Palme d’or of the 77th Cannes Film Festival
Studio Ghibli Honorary Palme d’or of the 77th Cannes Film Festival APRIL 17, 2024 The Festival de Cannes is honoring a cinema legend, awarding its Honorary Palme d’or for the first time to a group: Studio Ghibli.
Alongside the Hollywood greats, the Japanese studio embodied by two superb storytellers, Hayao Miyazaki and Isao Takahata, and a host of cult characters, has unleashed a fresh wind on animated film over the past four decades.
I am truly honored and delighted that the studio is awarded the Honorary Palme d’or,” declares Toshio Suzuki, co-founder of the Studio Ghibli. “I would like to thank the Festival de Cannes from the bottom of my heart. Forty years ago, Hayao Miyazaki, Isao Takahata and I established Studio Ghibli with the desire to bring high-level, high-quality animation to children and adults of all ages. Today, our films are watched by people all over the world, and many visitors come to the Ghibli Museum, Mitaka and Ghibli Park to experience the world of our films for themselves. We have truly come a long way for Studio Ghibli to become such a big organization. Although Miyazaki and I have aged considerably, I am sure that Studio Ghibli will continue to take on new challenges, led by the staff who will carry on the spirit of the company. It would be my greatest pleasure if you look forward to what’s next.”
With this Honorary Palme d’or, Studio Ghibli joins those who have inspired cinematography, whom the Festival de Cannes celebrates every year. “For the first time in our history, it’s not a person but an institution that we have chosen to celebrate,” said Iris Knobloch, President of the Festival de Cannes, and Thierry Frémaux, General Delegate. “Like all the icons of the Seventh Art, these characters populate our imaginations with prolific, colorful universes and sensitive, engaging narrations. With Ghibli, Japanese animation stands as one of the great adventures of cinephilia, between tradition and modernity”.
The Festival de Cannes was an early explorer of the animated film adventure. In the early years, Walt Disney productions presented short films (1946) and the feature Dumbo (1947). In 1953, Walt Disney himself took Peter Pan to the Croisette, where René Laloux won a special Jury Prize in 1973 for his first feature, Fantastic Planet. After a long absence, animation returned to Cannes in force with Shrek (2001) and Shrek 2 (2004), Ghost in the Shell 2: Innocence (2004), Persepolis (2007), Waltz with Bashir (2008), which all received awards in the Competition, or even Up, which opened the Festival in 2009. Many other films, such as Kirikou and the Wild Beasts, Inside Out, The Summit of the Gods and more recently, Elemental, and Robot Dreams have also left their mark. Moreover, Un Certain Regard welcomed The Red Turtle (2016), Studios Ghibli’s first collaboration with a European production company.
It all began 40 years ago. The success of Hayao Miyazaki’s Nausicaä of the Valley of the Wind in 1984 enabled him to establish Studio Ghibli with Isao Takahata in 1985. They achieved what seemed to be an impossible feat: independently producing pure masterpieces and conquering the mass market. Producer Toshio Suzuki, a key studio member from the start and soon assuming a full time role, he managed the studio with formidable efficiency, establishing perfect complementarity between the projects of Miyazaki and Takahata, by turns producers and directors.
In 1988, with the simultaneous release of Grave of the Fireflies and My Neighbor Totoro, these outstanding creative artists achieved a double success. In 1992, Studio Ghibli was able to begin financing its own feature films with Porco Rosso. In the early years, only the two founders directed their films, but gradually young auteurs such as Goro Miyazaki and Hiromasa Yonebayashi distinguished themselves and joined the Studio.
In four decades and over twenty feature films, Studio Ghibli won over its audiences with works imbued with poetry and with humanistic and environmental commitments. With Porco Rosso, Pom Poko, Princess Mononoke, My Neighbors the Yamadas, The Wind Rises and The Tale of The Princess Kaguya, Studio Ghibli has delivered stories that are as personal as they are universal. They have won prestigious awards, including both the Golden Bear and the Academy Award for Best Animated Feature for Spirited Away, and more recently another Oscar for The Boy and the Heron.
In Europe as in the United States, these films are among the animators’ most acclaimed work, between art for art and the commercial challenges of the industry. They are true models, as much for the quality of their writing, directing and animation as for their commitment to extensive aesthetic aspirations. In 2001, the Ghibli Museum, Mitaka opened on the outskirts of Tokyo to showcase the animators’ work and rich heritage, as well as to show short films created for the museum, thus asserting the Studio’s cultural importance. In 2022, the Ghibli Park, a hybrid park facility expressing the world of Studio Ghibli, opened in Aichi Prefecture. Goro Miyazaki, the first Director of the Ghibli Museum, was appointed the Creative Development Director to oversee the park construction.
Cannes
The Official Selection of the 77th Cannes Film Festival unveiled!
The Official Selection for the 77th Festival de Cannes was unveiled on 11 April at 11a.m., during the annual meeting with the French and international press, in the presence of Iris Knobloch, President of the Festival de Cannes, and Thierry Frémaux, General Delegate.
Discover the list of feature films selected in Competition, Un Certain Regard, Out of Competition, Midnight Screenings, Cannes Premiere and Special Screenings.
IN COMPETITION
Film d’ouverture
LE DEUXIÈME ACTE by Quentin DUPIEUX – Out of Competition
(THE SECOND ACT)
THE APPRENTICE by Ali ABBASI
MOTEL DESTINO by Karim AÏNOUZ
BIRD by Andrea ARNOLD
EMILIA PEREZ by Jacques AUDIARD
ANORA by Sean BAKER
MEGALOPOLIS by Francis Ford COPPOLA
THE SHROUDS by David CRONENBERG
THE SUBSTANCE by Coralie FARGEAT
GRAND TOUR by Miguel GOMES
MARCELLO MIO by Christophe HONORÉ
FENG LIU YI DAI by JIA Zhang-Ke
(CAUGHT BY THE TIDES)
ALL WE IMAGINE AS LIGHT by Payal KAPADIA
KINDS OF KINDNESS by Yórgos LÁNTHIMOS
L’AMOUR OUF by Gilles LELLOUCHE
DIAMANT BRUT by Agathe RIEDINGER | 1er film
(WILD DIAMOND)
OH CANADA by Paul SCHRADER
LIMONOV – THE BALLAD by Kirill SEREBRENNIKOV
PARTHENOPE by Paolo SORRENTINO
PIGEN MED NÅLEN by Magnus VON HORN
(THE GIRL WITH THE NEEDLE)
UN CERTAIN REGARD
NORAH by Tawfik ALZAIDI
THE SHAMELESS by Konstantin BOJANOV
LE ROYAUME by Julien COLONNA | 1st film
VINGT DIEUX ! by Louise COURVOISIER | 1st film
LE PROCÈS DU CHIEN by Laetitia DOSCH | 1st film
(WHO LET THE DOG BITE?)
GOU ZHEN by GUAN Hu
(BLACK DOG)
THE VILLAGE NEXT TO PARADISE by Mo HARAWE | 1st film
SEPTEMBER SAYS by Ariane LABED | 1st film
L’HISTOIRE DE SOULEYMANE by Boris LOJKINE
THE DAMNED by Roberto MINERVINI
ON BECOMING A GUINEA FOWL by Rungano NYONI
BOKU NO OHISAMA by Hiroshi OKUYAMA
(MY SUNSHINE)
SANTOSH by Sandhya SURI
VIET AND NAM by TRUONG Minh Quý
ARMAND by Halfdan ULLMANN TØNDEL | 1st film
OUT OF COMPETITION
SHE’S GOT NO NAME by CHAN Peter Ho-Sun
HORIZON, AN AMERICAN SAGA by Kevin COSTNER
RUMOURS by Evan JOHNSON, Galen JOHNSON, Guy MADDIN
FURIOSA : A MAD MAX SAGA by George MILLER
MIDNIGHT SCREENINGS
TWILIGHT OF THE WARRIOR WALLED IN by Soi CHEANG
THE SURFER by Lorcan FINNEGAN
LES FEMMES AU BALCON by Noémie MERLANT
(THE BALCONETTES)
I, THE EXECUTIONER by RYOO Seung Wan
CANNES PREMIÈRE
EVERYBODY LOVES TOUDA by Nabil AYOUCH
C’EST PAS MOI by Leos CARAX
EN FANFARE by Emmanuel COURCOL
(THE MATCHING BANG)
MISÉRICORDE by Alain GUIRAUDIE
LE ROMAN DE JIM by Arnaud LARRIEU and Jean-Marie LARRIEU
RENDEZ-VOUS AVEC POL POT by Rithy PANH
SPECIAL SCREENINGS
LE FIL by Daniel AUTEUIL
ERNEST COLE, LOST AND FOUND by Raoul PECK
THE INVASION by Sergei LOZNITSA
APPRENDRE by Claire SIMON
LA BELLE DE GAZA by Yolande ZAUBERMAN
Cannes
77th edition, the Cannes film festival launches its Immersive Competition
Because there are now original works that are pushing the boundaries of storytelling, the Cannes film festival will introduce a new competition, the “Immersive Competition” for its 77th edition.
In 2017, Alejandro González Iñárritu made history at the 70th edition of the Cannes film festival with his groundbreaking virtual reality piece, Carne y Arena (Virtually Present, Physically Invisible) marking the first immersive work ever presented as an official selection at a major film festival. Recognized for his pioneering vision, Iñárritu received a special Academy Award for the project and continues to be a prominent figure at the Cannes film festival (even serving as President of the Jury in 2019).
Seven years since its first immersive selection and in line with the Marché du Film’s commitment to exploring new technologies and art forms through its innovative-focused programs, the Cannes film festival is thrilled to announce the creation of the new Immersive Competition for its upcoming 77th edition. The competition aims to spotlight the next generation of international artists who are redefining storytelling and inventing new narrative-driven experiences that move beyond the traditional two-dimensional cinema screen.
With the support of the CNC (National Center for Cinema and the moving image), the competition will feature immersive, collective and interactive works that utilize virtual reality, augmented reality and other cutting-edge technologies to transcend conventional storytelling and transport audiences to other worlds, narratives and eras.
For its inaugural edition, a committee of industry experts and Cannes film festival representatives, under the supervision of the General Delegate of the Cannes film festival, will select eight immersive works in competition. Additionally, a curated selection of non-competitive works, illustrating the synergy between immersive experiences and cinema, will complement the program.
The selected works will be accessible to Cannes film festival and Marché du Film attendees throughout the Festival, from May 15 to 24. The works will be displayed in a 1300m2 exhibition space at the Cannes Cineum – the cinema complex of Cannes La Bocca – and the Georges Méliès Campus, a university institution dedicated to creative writing and film.
The in-competition works will compete for the Best Immersive Work prize. An international jury composed of notable figures from cinema and immersive art will present the award at a special closing ceremony, celebrating the creativity and innovation of immersive artists.
Alongside the Immersive Competition, the Marché du Film will continue to explore the commercial and technical aspects of the immersive sector through a lineup of conferences, expert panels, demonstrations and professional networking events.
In what promises to be already a significant year, the City of Cannes is also set to announce the launch of Cannes Immersive, patronised by artist Jean-Michel Jarre and supported by the CNC. This new program aims to position Cannes as a global hub for immersive creations and the emerging artistic domain of artificial intelligence (AI). Cannes Immersive will unfold through the launch of innovative events, strategically designed to elevate Cannes’ status as a premier destination for immersive cultural experiences, which will be seamlessly integrated into both existing and future Cannes events. Furthermore, it will establish a permanent immersive venue in Cannes, serving as a showcase for the most exceptional immersive creations, whether assisted or generated by AI.
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